Media critic

MSM caught 'watering the plants'

There has been heavy media coverage of the picture of Obama-with-Hitler-mustache that a guy was displaying outside one of the townhall meetings the other day. The picture is at one of the links below. Several talking heads on TV blamed Republicans and conservative talk radio for motivating this ugly display (see third link below). One might be forgiven for thinking that they knew what they were talking about. One might have assumed, naively, that the network news people did some investigative reporting to determine the facts.

In fact, it would have been quite easy. All they had to do was to read the message on the bottom of the picture and go to the web site, which is a Lyndon LaRouche web site (first link below). But no, they simply parroted what their world view told them must be the case. This sloppiness and utter disregard for the facts have become more and more typical of liberal TV news programs.

As it happens, Lyndon LaRouche is closer to a communist than he is to a conservative. On the issue at hand, his web site actually advocates a "single payer" health care plan, just not Obama's.

The activist who was displaying the picture was later seen handing out literature for Democratic Representative John Dingell (see second link below). Thus either he was a Democrat plant or else he was a LaRouche supporter who also supported Dingell.

They call this particular kind of deception "watering the plants". The liberal media bought it willingly, and then spread it far and wide. We can expect to see much more of this now that Nancy Pelosi falsely accused conservative town hall participants of carrying swastikas.

Regarding TV news, it's been tempting to say "trust but verify". But now one can't trust it at all.

http://www.larouchepac.com/

http://theblogprof.blogspot.com/2009/08/busted-obama-as-hitler-poster-was.html

http://newsbusters.org/blogs/seton-motley/2009/08/12/nbc-cnn-msnbc-all-assign-communist-larouches-obama-hitler-poster-conse

Cronkite better before he was anchorman

The recent passing of CBS anchorman Walter Cronkite was the occasion for considerable media navel gazing, most of which either waxed nostalgic or sought to channel his luster. The best commentary was by Dorothy Rabinowitz at the Wall Street Journal. Rabinowitz agrees that Cronkite was a major force in broadcast journalism, but her more nuanced analysis recalls the days before Cronkite became famous and signed off every night with the portentous judgment that "that’s the way it is, [fill in day and date]." Millions of people hung on every word "Uncle Walter" uttered with such authority, which he ultimately abused. (More below.)

As much as Rabinowitz is willing give Cronkite kudos for his dedication to getting facts straight, she admires more, as do I, the journalist who, in World War II, not only rode in a B-17 Flying Fortress above Germany but was also in uniform "wielding a machine gun at the enemy." Less hazardous, but surely patriotic, was Cronkite’s willingness, along with other TV network commentators such as NBC’s Chet Huntley, to narrate documentaries showing the evil of communist regimes.

My favorite was "Revolt in Hungary," in which Cronkite chronicled the desperate attempt of Hungarian patriots to drive the Russians out of their country in 1956, along the way indicting the United Nations and the United States for inaction.

By the time Cronkite assumed his lofty network perch, journalism had succumbed to the conceit of "neutrality," which forbade its practitioners from taking sides between the country which secured their freedom (and everyone else’s) and regimes which crushed it.

Hence, it was only a mild surprise when, after three years of America fighting the Vietnam War with a combination of World War II tactics and presidential micro management, the enemy in 1968 launched its Tet Offensive, Cronkite concluded that the war was unwinnable.

President Lyndon Johnson was reported to have said that "If we’ve lost Walter," then we’ve lost the American people. But Cronkite was wrong. Tet temporarily overran our positions but culminated in a massive defeat–and the virtual extinction–of the Viet Cong.

Naturally, liberals applauded Cronkite for his negative judgment, for it was theirs too. Conservatives, of course, were critical not only because he was wrong but because he had departed from the canons of "objectivity."

But I don't credit the "objectivity" that Cronkite himself said he was stepping away from in 1968. There is no obligation to avoid drawing conclusions from facts available, although one may be in error. Cronkite was in error, but he had not, merely by stating his opinion, stepped away from objectivity. There is no point in gathering facts just for their own sake.

The "obligation" is self imposed by journalism, not out of any lofty regard for the truth but in order to obtain advantages by appearing to be above the fray. First, the objective pose gets more readers, listeners and viewers than any partisan truth. Second, it provides some protection against political or legal challenges. Third, neutral objectivity is an imitation of the natural and social sciences, which also claim to be unbiased.

The journalistic version, which also involves a method known as who, what, where, when, etc., is always questionable. Concealing partisanship by careful selection of facts is a tried and true tactic.

Cronkite and many others jumped to conclusions about the Tet offensive because it fit in with their anti-war sentiment. Had he paused until the effects of the offensive were clear, he might not have been so mistaken. His rush to judgment was never recanted, of course. Once liberals gave up on the war, they turned with a vengeance on President Nixon for having the audacity of trying to clean up the mess they left behind.

As to Cronkite's alleged professionalism, I think it's more appearance than reality. Support for the freest nation in the world and commitment to freedom for all peoples is real objectivity, not that pious, phony, above-it-all neutralism that disgraces modern journalism. Facts are the basis for drawing reasonable conclusions, but they do not exhaust objectivity. Good citizenship requires repairing to the true principles of republican government, the "laws of nature and of nature's God."

We won't care to win wars or preserve our nation unless we ground ourselves in the objectivity of the principle that all men are created equal and free. There is no neutrality between good and evil, or right and wrong, however much people may disagree about them.

Leftist agenda of TV entertainment

This month ABC’s crime drama Castle has emerged as the newest entertainment show used by the left-liberal political machine. What else could explain the subject matter which transparently resembled a recent GOP Senator’s love affair scandal to which the main characters made the comment, “so much for family values.” Not to be outdone, the show following, Eli Stone, depicted an ephemeral image of a woman dressed in a white sheer dress to which the star of the drama said, “…just like Britney Spears and Sarah Palin.” What? Did they write the show a few days before it aired?

Even more alarming are the re-runs of shows like Boston Legal and Will & Grace, which mysteriously appear at a time when certain political issues are in the news. Here are just a few examples: Boston Legal “Race Issa” (2004) makes a reference to a vice president shooting a hunting pal and the two stars laughing over a brandy about the obvious reference; “Squid Pro Quo” (2006) where the issue of abortion in India is debated in a court room referring to the “problem” of the U.S. refusing to provide funding for abortion clinics overseas.

In a Will & Grace episode, “Word Salad Days” (2006) re-run, a discussion ensues about the DiVinci Code and a reference is made to whether that would “turn him into the Karl Rove of the 16th century.” Another Will & Grace episode “A Gay/December Romance” (2004) created a scenario of an art show and having the character Jack remark how it is a good place to meet old gay men who support young gay guys, “just like [the relationship between] Dick Cheney and George Bush.”

These are TV sitcom shows…not media news. The scurrilous attacks on the Conservative Right inserted into what is meant to be simply entertainment is not only disturbing, but downright dangerous.

Do not let TV be turned into a political machine. Protest these shows by grabbing your remote and turn to another channel. Ratings rule. Write to the producers of these shows and their advertisers and tell them you prefer not to be inundated by their political message on shows meant only to entertain. Consumers control, express your right to be free of media sabotage into the sanctuary of your family home.

What is the future for newspapers?

In recent years several major metropolitan newspapers have gone out of business and more have cut back considerably on their coverage. The reason is a decline in readership and advertising revenue, mostly because of the popularity of the internet but also because of reader dissatisfaction. Advertising provides the bulk of newspaper revenue, while subscriptions and street or other sales lag far behind. However, the larger the circulation, the larger the market for products or services advertised in the newspaper, so readers and ads are inextricably connected. A decline in circulation leads to a decline in advertising. As one who grew up with newspapers and believed that they were here to stay, it is a shock that this can no longer be taken for granted. The truth is, many people who do not read newspapers give no indication that they will ever do so. Does this mean that newspapers are doomed?

Maybe, maybe not. But a friend asked a question of me the other day which made me wonder if the alternative to the newspapers going the way of the dodo bird is lurking in the shadows. My friend asked: "Is there a possibility that with the evaporation of ad revenue, the print media will drift back toward express partisanship?"

My answer was "Yes." Let me explain why. Originally, newspapers were not very profitable and many fell by the wayside. Whig (or Patriot) newspapers competed with Tory (or Loyalist) newspapers during the American Revolution and later divided over the wisdom of establishing a national government. After the people elected their first national Congress and president in 1788, newspapers turned to political parties for subsidies, as well as government printing contracts. The most prominent were the Gazette of the United States, a Federalist organ supported by Alexander Hamilton, and the National Gazette, a Republican newspaper supported by Thomas Jefferson and James Madison. These and other more or less intelligent, wide-ranging and often mud-slinging publications dominated the political and journalistic landscape until the Civil War. But technological changes made possible a change in the character of the newspapers, although how much is a matter for debate.

The introduction of the high speed rotary press in the 1830s reduced printing costs and enabled publishers to give up party patronage. Editors’ partisanship replaced party loyalty. Newspapers sold for as little as one penny and attracted many readers who were less interested in national politics than they were in local developments, especially crime and scandal. The audience had expanded beyond political partisans. The invention of the telegraph in 1832 and the subsequent establishment of the Associated Press in 1848 made it possible to provide wider coverage by many newspapers sharing a few correspondents at sources of news around the country. The price for mass circulation newspapers was the foregoing of overt partisanship in what came to be called news pages and the open presentation of political opinions on the editorial page (while reaping the benefits of large circulation and heavy advertising). The price for the wire services was the need for correspondents carefully to tailor their accounts to newspapers with varying political opinions. The device of choice was the inverted pyramid in which the more important news appeared first and the less important was placed further down in the article, making it simple to edit due to limited space.

In my opinion, the model newspaper in that period and for many years thereafter was the New York Times, founded in 1851. Publisher Henry J. Raymond combined devotion to the Republican party with dedication to factual accuracy in both news articles and editorials, an example widely imitated until the present time.

Now, if the newspapers today have a hard time surviving because of the decline of readership and advertising revenues, it would not be surprising if they turned to partisan patrons. There is even talk of stimulus money for newspapers (in Connecticut and Illinois), which is possible (though undesirable and indefensible), but so far it is not happening. Turning to wealthy patrons would strike many as odious, inasmuch as the myth prevails that partisanship (or at least open adherence to a party) is incompatible with good journalism. Of course, it would be odious because of the identity of the particular patron (say, George Soros?), not because of patronage per se. It is also widely believed that money in politics is somehow a bad thing, even though the costs of campaigns are not cheap. At the same time, newspapers are exempt from the laws regulating campaign financing, reinforcing the myth of journalistic objectivity.

Of course, anything can be corrupted, but as long as every party is free (in a moral, as well as a legal sense) to support newspapers, and for newspapers to accept that support, there is no reason why this should not happen. But there is a major difficulty, caused by the general belief that politics as such is a questionable thing (the contribution of Progressivism), to be endured only because it cannot be stopped but not because it has any intrinsic worth (administration of the service state over party politics). I would not be surprised to see the overt newspaper-party link, if it took place, to resemble the bitter partisanship of the early party press, rather than the restrained partisanship of Henry J. Raymond. After all, if partisanship, as many believe, means to be governed only by one's ambition or interest, the case for accuracy and fairness is not compelling.

In other words, if something like the fact-value distinction (facts can be substantiated but values cannot) accompanies any shift to an openly partisan press, the obligation for accuracy may well be sacrificed to partisan advantage because of the belief that "values" need not be supported by fact and, perhaps more important, devotion to factual accuracy will be dismissed as just another value, not grounded in reality, which is "a blooming, buzzing confusion," as Walter Lippmann, the "Dean" of American journalism for many years, once put it. One man's fact is another man's scourge. (Not thy will, but mine be done.) There is an old rabbinical saying, viz., "What went wrong this time?" which reminds us that we are as apt to screw things up as we are to improve things.

"Objective" journalism has been a disguise for partisanship from its beginnings, but that doesn't necessarily discredit it. Partisans can be accurate and public spirited, and so-called independents can be inaccurate and mean spirited. Republicans (e.g., the old New York Times) used to dominate the press, although they had plenty of Democrat competition. The old sensationalist press was more often Democrat (e.g., Joseph Pulitzer and William Randolph Hearst) than Republican, and the 20th century version of "responsible" journalism almost invariably favored liberal causes (e.g., the New York Times when the Sulzbergers took it over, but also the Washington Post, the St. Louis Post Dispatch, the Cleveland Plain Dealer, the Milwaukee Sentinel, the Kansas City Star, and the Denver Post). More conservative were the Chicago Tribune, the Detroit Free Press, the St. Louis Globe Democrat, the Oakland Tribune, the San Diego Union and the Dallas Morning News.

Lippmann founded a new standard of objectivity that stressed cosmopolitanism in foreign affairs and non-partisanship in domestic affairs. The "ideal" for the journalist was not the statesman or public-spirited citizen but rather scientists and historians who ostensibly are neutral observers with no stake in political action. This has culminated in the presumption of moral equivalence between America and her enemies in news reporting and commentary, a point of view which seems to have taken up residence in the Obama White House.

As this summary indicates, the rise of liberal partisanship is not a recent development. The critics of the liberal press were vocal in the 1960s (e.g., Goldwater campaign), and even in the 1940s (e.g., Hiss case) and the 1950s (e.g., John Foster Dulles' "brinkmanship"). However, one's own partisanship is harder to acknowledge than the partisanship of those who disagree with you. In any case, the press is always partisan, the only question being what kind of partisanship and for what ends.

Fame is fool's gold

Except for flipping burgers at Jack-In-The-Box, I earned my first paycheck as a professional actress. My mother put me on the stage when I was three years old, and her enchantment with Hollywood was not unlike that of Mama Rose, the determined stage mother in Gypsy. I like to affectionately refer to her effect on my early childhood as a little like "Ethel Merman on steroids." Consequently, I've always been fascinated by the public's obsession with fame and the famous. From my vantage point, the trend has only intensified since my early days, shaking my tutu on the stage at Elitch Gardens. Michael Jackson began his life as the extension of his parents' drive and ambition and we watched his particular way of dealing with it as he grew into an adult performer. Like so many others who are not famous, he was a child as an adult because he was forced into adulthood, as a child. That's a cultural phenomenon for another article. Living as an extension of others was all he had ever known, and he recreated that pattern which came to enslave him yet again.

Hollywood values certainly didn't help matters, as appearances are everything in Hollywood. I was not surprised to learn that Jackson himself did much of the 'leaking" designed to keep him in the public consciousness. But what is it that makes the public so drawn to the hype that Hollywood dishes out, even when we know there is a feeble wizard behind the curtain, manipulating what we see and how we see it? Why have so many others aspired to this lifestyle despite the ugly underbelly and the serious, dangerous pitfalls? Isn't that what is behind the explosion of Facebook, YouTube and reality TV?

The thirst for fame can be as powerful a drug as Oxycontin. The more intense the addiction, the less likely one is to believe that they are "enough" just as they are. Such a deep sense of inadequacy can never be healed by the illusion of adoration by thousands or even millions, who know only the packaged image rather than the real person, with all too human frailties. A true friend after all, is one who knows you---and likes you anyway.

Those who have attained the coveted commodity can never live up to the romanticized image either, even if they've begun to believe their own hype. Some feel like an imposter and others find a depth of lonliness in so much superficiality. In many cases, the same adoring fans hide jealous glee when the idol falls of his pedestal. Isn't our First Commandment about idolotry? It is as relevant today as ever before.

Perhaps this is one of the root causes for the rampant drug use, profound depression and high suicide rate in Hollywood. The same goes for those who will do anything necessary to join the ranks. I have nothing against "show biz" but I've grown to love the small realities of life and the knowledge that truth is always more fascinating than fiction. It takes longer than we would like In some cases, but eventually, the truth will out.

Could some of this be an explanation for the idol worship of Barack Obama? That's a cultural phenomenon for another article.